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Branding the world’s first plastic-free supermarket aisle

To design the logo and accompanying campaign for Plastic Free Aisle, a new initiative from Dutch supermarket chain Ekoplaza.

Made Thought has created the logo and campaign for Plastic Free Aisle, an initiative launched in collaboration with environmental charity A Plastic Planet and Dutch supermarket chain Ekoplaza.

London-based studio Made Thought has collaborated with environmental campaign group A Plastic Planet to create the identity for the “world’s first plastic-free aisle”.


The studio has been commissioned to design the logo and accompanying campaign for Plastic Free Aisle, a new initiative from Dutch supermarket chain Ekoplaza.

Launching at the supermarket’s Amsterdam store, more than 700 food items and other goods with recyclable packaging are included in the aisle – all of which bear the “plastic free” mark.


Made Thought’s identity for the initiative aims to bring “much needed clarity and focus” to the growing issue of plastic pollution, says the studio.

The black and white, three-dimensional logotype is inspired by the aesthetic of propaganda, and will be used to help shoppers quickly identify plastic-free products as more items start to be packaged in compostable bio-materials that replicate the look of traditional plastic packaging.


The studio also created the mark with the idea that it is simple enough to be replicated in supermarkets all over the world.

Made Thought founding partner Ben Parker, says: “In taking on this challenging brief, we wanted to look beyond the overused lines about environmentalism and altruism. The brief was all about fashioning a new way of looking at plastic and its place in modern life.”


The second Plastic Free Aisle will open at Ekoplaza’s The Hague branch in June 2018, before rolling out across its 74 branches in the Netherlands by the end of this year.

This article is an extract of Aimée McLaughlin’s article published on Design Week.

7 great examples of branded content

What it is and how leading brands are using it well.

This article is an extract of Tom May’s article published on, on June 2018. Tom May is a freelance writer and editor specialising in design and technology. He was previously associate editor at Creative Bloq and deputy editor at net magazine, the world’s best-selling magazine for web designers.



We live in fast-changing times for branding, marketing and advertising. As more and more of us use recording devices that let you skip TV commercials, along with ad-blocking software online, how does a brand get its message across?

One increasingly popular strategy is to use branded content. From sponsored magazine articles to online webisodes, music videos to short films, this kind of content is so entertaining, informative and engaging that consumers are happy to view and share it of their own volition.

The marketing message may be upfront or almost invisible, but that’s not what’s important. It’s all about making people want to see it, rather than being forced or tricked into seeing it.

Here we look at some of the best examples of branded content in the 2010s so far.

01. Newspaper article: Netflix


With the number of people willing to pay for newspapers and magazines falling, old media needs to find new sources of revenue – online as well as in print. One way to boost income is to run sponsored articles, but matching the right marketing message with engaging and informing content can be a tricky business.


This New York Times article, Women Inmates: Why the Male Model Doesn’t Work, hits exactly the right note. Sponsored by Netflix’s hit prison drama Orange is the New Black, the longform read is fascinating, relevant and elegantly presented. Interactive images, a captivating video and strong journalistic content all add up to a great article that ticks all the boxes for both brand and reader.

02. Music video: Honda


OK Go is an alternative rock band from Chicago known for its funny and creative music videos. And its video for 2014’s I Won’t Let You Down, which debuted on NBC’s Today Show, put a whole new spin on product placement:


In it, the band members cavort around on Honda’s UNI-CUB self-balancing unicycles, which represented a massive PR coup for the company. Although there’s no actual mention of Honda, the video on YouTube – which has so far had over 38 million views – linked to an interactive website (now offline), allowing people to see behind-the-scenes footage, interviews, and information about the Honda UNI-CUB itself.

03. Print magazine: Net-a-Porter


As one door closes, another opens. And with traditional publishers reluctant to launch new magazines, companies are fast stepping in to fill the vacuum. One of the most critically and commercially successful to date has been fashion retailer Net-a-Porter’s magazine, Porter.


By combining access to the website’s audience data with global magazine market intelligence, the company has been able to target the magazine’s content with laser accuracy, and achieve a circulation of around 180,000, outselling many traditional fashion magazines and even coming within spitting distance of Vogue.


As well as making money from the cover price, Net-a-Porter has put a lot of effort into making sure the bi-monthly title also drives retail sales. For example, readers are able to scan a print issue with the Net-a-Porter app, and immediately arrive at the relevant purchase page, making for a seamless shopping experience.


Porter’s sister title The Edit is even more transparent about its brochure-like ambitions, with buttons in the free digital magazine taking readers to ‘shop the issue’.

04. Viral video: Dove

Dove’s Real Beauty campaign stems from research suggesting that only four per cent of women would describe themselves as beautiful. This short video highlights this gap between perception and reality in brilliant fashion.


A sketch artist creates two drawings of a series of women. One is based on their own description of how they look; the other based on a stranger’s description. The discrepancy between the two highlights powerfully how inaccurate women’s own views of their beauty are.


With over 114 million views in just one month, this ad became the most viral video ad of all time. While it says nothing about the qualities of the product itself, the campaign got the world talking, and Dove has been part of that conversation – boosting sales massively in the process.

05. Radio station: Pedigree

Content marketing isn’t just about print, TV and online: broadcast radio remains a powerful and popular medium, and fertile ground for branded content. But perhaps the most unlikely example comes in the form of a New Zealand radio station for dogs.


K9FM was based on advice from pet experts that people should leave the radio on when they leave the house, to keep their dog company. But rather than a normal radio station, Colenso BBDO Auckland thought, why not one tailored to dogs themselves?


The agency created hours of original content to play all day, every day on the channel, including discussions on topics like The Frisbee: Voodoo, Magic, Science?; a sports section called Fetch in the Park, and a thought for the day entitled Chew on This.


K9FM received more than 1,000 phone calls from dog owners during the first two weeks of broadcasting, and within the three months of the campaign, Pedigree dog food enjoyed a three-year sales high.

06. Short film: Procter & Gamble

The maker of Always, Procter & Gamble, wanted to place puberty’s profound impact on girls’ confidence into the media spotlight. So it commissioned this short documentary by filmmaker Lauren Greenfield, which approaches the topic via the phrase ‘like a girl’.


A series of interviews show that for young children, ‘like a girl’, means to do something well, whereas for teenagers and young women it means to do it ineffectively.


The fourth most viewed ad in 2014 on YouTube, the video was followed up by several positive #LikeAGirl videos featuring sporting and cultural role models offering proactive solutions. For example, a 2015 video featuring Game of Thrones star Maisie Williams, Unstoppable, encourages girls to smash limitations set on them by society, which are visually interpreted as boxes stamped with prescribed roles for girls.

07. Feature film: Lego

You know you’ve succeeded at branded content when people are having so much fun, they don’t even notice they’re being marketed to.


The hilarious and surprisingly clever Lego Movie earned a worldwide total of over $469 million, all the while promoting Lego to a new global generation of kids.


It has been followed up so far by the Lego Batman Movie and Lego Ninjago Movie, with more in the pipeline – proving that when you get branded content right, everything really is awesome.

Luminous Portraits of Sliced Fruit

Each oil on canvas painting focuses exclusively on the edible subject.

Dennis Wojtkiewicz is Professor of Art at Bowling Green State University where he has taught painting and drawing since 1988. He received his M.F.A. degree from Southern Illinois University at Carbondale in 1981 and also studied at the Atelier Neo-Medici in France under the direction of Patrick Betaudier in 1978 and 1983.


Best known for his distinctive large-scale paintings of fruit and flowersin which the subject matter is encapsulated and transfixed by a heightened approach to realism.


His work has been shown in international art fairs in Bridgehampton, Chicago, Los Angeles, Miami, Palm Beach, Santa Fe, Taipei and Toronto as well as in numerous galleries and exhibitions throughout the U.S. He is a past recipient of two Ohio Arts Council Individual Fellowships with paintings and drawings represented in major public, private and corporate collections.


He paints enormous portraits of sliced fruit, often scaling four feet across or more.


Each oil on canvas painting focuses exclusively on the edible subject, with dramatic backlit lighting seeming to light up the melons, citrus, apples, and kiwis. While Wojtkiewicz focuses on tiny details like individual segments of juice, striations, and the fuzzy skins, the realism is tempered by a slightly hazy, impressionistic finish.


You can see more of his paintings on his website.


Part of this content is based on an article by Laura Staugaitis, Editor & Contributing Writer at Colossal.

The best 10 cursive logos of all time

These brands all harness handwriting fonts to create iconic logos.

This article is an extract of Tom May’ article published on, on November 2017. Tom May is a freelance writer and editor specialising in design and technology. He was previously associate editor at Creative Bloq and deputy editor at net magazine, the world’s best-selling magazine for web designers.

01. Harrods


Since 1834, Harrods has been the premier department store of London, England. Occupying the high end of the market, the store occupies five acres of land and contains 330 departments. But for many years, that caused a problem, because these all had different visual identities and there was a lack of a consistent brand message.


In 1967, Marcello Minale and Brian Tattersfield – aka Minale Tattersfield  – were tasked with devising an overarching identity for the store. The understated design they created, based on the store owner Charles Harrods’ signature, hits the perfect sweet spot between austere tradition and friendly inclusiveness.


Relatively unchanged since, it now adorns not just the storefront but numerous products, from bags to apparel, so has a high monetary value in its own right.

High-end London department store Harrods strikes a balance between formality and friendliness.

02. Virgin


In the early days of Virgin Records, its original logo was about as different from its current one as you could imagine. Designed by the great English artist and illustrator Roger Dean, this psychedelic extravagance featured a naked set of Siamese Twins and a suggestive-looking dragon.


But when owner Richard Branson signed the Sex Pistols to his label in 1977, whose generation-defining slogan was ‘Never Trust a Hippy’, it was clear that a new design was needed. A stark red, graffiti style design was the result, and was much more in keeping with the times.


It’s a sign of how quickly punk style was adopted by the mainstream that it’s survived pretty much intact ever since, and now promotes such mundane fare as fizzy drinks, air travel and insurance services. You can read more about the development of the Virgin logo on the company’s website.

The Virgin logo was a child of the punk era.

03. Paul Smith


Signature-style logos work well when the brand and its owner are inseparable, and that’s certainly the case with the famous logo for British fashion designer Paul Smith.


Known for his idiosyncratic take on traditional English tailoring, Smith has grown an empire of more than 300 shops worldwide with an annual turnover of £200 million (around $263 million). And this quirky but elegant logo fits in well with his ethos of ‘classic with a twist’.


As elegant as his shirts and suits, this cursive logos speaks to the style and panache of the genius behind the brand. So it’s surprising that it’s not actually based on his signature at all: it was designed by a friend of his called Zena.

Paul Smith’s autograph-style logo has helped propel his fashion empire to greatness.

04. Kleenex


Since Kleenex tissues came on the market in 1924, it has been the number one brand of facial tissue in the world. So, it’s not surprising that its logo is so recognisable.


But what you may not know is that one of the best-known iterations of Kleenex’s logo was designed by iconic designer Saul Bass in the 1980s.


His upbeat and friendly design (above) used a style of joined up lettering that’s subliminally full of ‘smiles’, striking the right emotional note for a product otherwise connected with weeping and illness.

Saul Bass’s classic logo for Kleenex.

05. Barbie


First created in 1959 by Ruth Handler and inspired by a German doll named Bild Lilli, Mattel’s Barbie has been the best-selling toy brand in the world for more than five decades.


That’s partly down to a ruthlessly consistent approach to branding. This has resulted in Barbie virtually ‘owning’ the colour pink, while her handwritten logo has become one of the most instantly recognised in the world.


First introduced in 1959 at the New York Toy Show, this cartoony cursive logo has gone through many iterations, but the current version is almost identical to the original, highlighting just what a clever creation that was. There’s a real verve, playfulness and confidence to this design that speaks to the subtle sophistication at the heart of the Barbie brand.

Barbie’s current logo is little different from the 1959 original.

06. Kellogg’s


Many cursive logos come with company-approved backstories, and the Kellogg’s logo is no exception. Legend has it that in the early 20th century, founder William Keith Kellogg would sign each packet of his corn flakes personally, as a guarantee of their quality.


This signature style logo began to become standardised in the 1910s and 1920s, and quickly became one of the globe’s most recognised logos. The latest version was created by the Kellogg’s marketing team in collaboration with Interbrand in 2012.


The changes over the years have been so incremental, though, that few people outside the design world (or the very advanced in age) are likely to have noticed any difference. And that’s a good thing. Brand consistency is hugely important with a product like breakfast cereal, where the goal is to sustain people’s love for their favourite brand (often hard-wired during their formative years) throughout their lives.

The Kellogg’s logo has remained broadly consistent over the last century.

07. Ford


We like to think multi-tasking is something new, but people had it covered in times past too. Take the classic stylised Ford script, which was developed by the company’s first chief engineer, Childe Harold Wills, in 1909.


Wills, the chief contributor to the design of the Model T Ford, was also known for designing and printing business cards, so used the calligraphy from his own cards to crate the letters of the Ford logo. The oval was added in 1912, and not a huge amount has changed since, the most recent update being carried out by The Partners.


The Ford logo is now inseparable from the brand, and even though the company has never claimed it to be the signature of its founding father, Henry Ford, the cursive style still helps to evokes a warm, friendly and familiar connection to the brand.

Many assume Ford’s logo is based on Henry Ford’s handwriting, but it was actually his chief engineer’s.

08. Wendy’s


Founded in 1969 in Columbus, Ohio, Wendy’s has since become the world’s third largest hamburger fast food chain, behind Burger King and McDonald’s. Its logo has always offered a more family-friendly vibe than those of its rivals, with an emblem based around a stylised portrait of founder Rex David Thomas’s daughter Wendy.


Until recently, the wordmark was based on all-caps, classic Western-style lettering. But its most recent redesign in 2013 changed this to a hand-drawn, marker-style cursive logo.


This update makes the logo both simpler and more streamlined, and more personal and family-oriented, and was accompanied by a similar clean-up of the girl-in-pigtails emblem.

Wendy’s has switched from all-caps to a cursive style.

09. Disney


So what about Disney’s logo? Surely that was based on founder Walt Disney’s signature, right? Well, yes and no.


Firstly, this now-classic logo didn’t actually come into existence until almost two decades after Walt’s death. And secondly, photos of the founder’s original signature show little similarity between that and the logo.


What it does seem to be based on, though, is his “official” signature, which was signed on his behalf by an employee, Hank Porter, thousands upon thousands of times, to save Walt time and energy that he could better devote to business matters.


Either way, that doesn’t stop Disney’s world-conquering logo being a must-include on our list of world-conquering cursive logos.

Is it Walt’s signature or not? Well, yes and no.

10. Coca-Cola


Many products that are world-famous now didn’t actually pay much attention to branding in their early days. But for Coca-Cola, it was a key ingredient right from the start. Way back in 1885, just after John Pemberton had come up with a new drink based on kola nuts and coca leaves, his partner and bookkeeper Frank Mason Robinson came up with the name and a logo based on script lettering.


Robinson suggested the name Coca-Cola because he felt that two capital C’s would look good together in advertising. He couldn’t have been more right, and that decades-long headstart means that rival brands have struggled vainly ever since to break Coke’s hold as the world’s go-to cola.

Coca Cola’s Spencerian script has become an icon of modern design.

A limited edition, illustrated cans by Guinness

The cans feature the artist’s famous toucan and lobster illustrations, created during his four-decade-long association with the brand.

John Gilroy was a 20th century British artist best known for his comical and colourful advertising campaigns for Guinness that he created over a period of four decades.


Gilroy’s work for the brand dates from the 1930s to the 1960s, and includes the famous “My goodness, My Guinness” campaign. Featuring a hapless zoo keeper character that was intended to be a caricature of the artist himself, it went on to become one of the world’s longest running campaigns, according to Guinness.


To celebrate what would have been Gilroy’s 120th birthday, the brewery has released a series of cans featuring some of the artist’s most enduring designs. The series includes an illustrated toucan; a symbol that has been associated with the Guinness brand since 1935, and regularly appears in its posters, adverts and other promotional materials.


Another design features a lobster illustration by the artist, and nods to the popular practice of pairing Guinness with different foods as seen in its advertising. The relationship between the stout and lobster apparently dates back to the early 1900s, as its slightly bitter taste was said to go well with seafood, according to Guinness.


The cans have been designed in-house by Guinness, and see a departure from its classic black packaging. Instead, the illustrations are set against a simple, white background, allowing Gilroy’s classic designs to speak for themselves.


The limited edition cans are available at major retailers across the UK.


An article by Aimée McLaughlin


A project to increase the owl’s population on a wine property

Tyto alba are the wines born from the vineyards protected by the Barn Owl, where biodiversity is key.

There is no greater example of respect for nature and protection of a species than has been evidenced by the Portuguese Companhia das Lezírias along the years. This vast company’s initiatives to promote environmental consciousness are of great importance, and go far beyond the wine-growing sector.


From the many projects it supports, TytoTagus is just one worth mentioning. The aim was to study the spreading of Tyto alba, commonly known as the Barn Owl. This particular project led to an increase in the owl’s population on Companhia das Lezírias’ properties, thereby reinforcing its role of protecting the vineyards.
By supporting a species preservation project, TytoTagus, Companhia das Lezírias participated in the increase of the barn owl’s community in their properties, becoming the largest in the world. This bird’s attentive look guards the vineyards, protecting them against plagues and intruders, leaving a strong imprint in these wines.
Tyto alba are the wines born from the vineyards protected by the Barn Owl, where biodiversity is key.


As the creative agency Rita Rivotti says, “this connection between Companhia das Lezírias, the vineyards and the Barn Owl, inspired us to come up with a name and concept for the Tyto Alba wines. We dreamt about this mythical bird’s features and portray them in a special design that makes it come to life, reminding us of its watchful personality, conveying quality and reliability”.


Thereby they bring us Tyto Alba, the wines that invoke their loyal guardian to embody Companhia das Lezirias’ commitment to preserve nature.

Passion for Sport

Compressport is passion for sport…

Passion for training, for extreme racing, for pushing the limits. Passion and dedication, which begins with respect for the sportsperson, the professional athlete who sets the limits and sportspeople of all ages who share their time between their family, their work and their passion for sport.


Since the launch of its first R2 leg sleeves in 2008, Compressport has been working every day with the same passion for sport.


Compressport is a 100% Swiss company which makes 100% European products. All its products are designed and manufactured in Europe and all the fibres and dyes they use are 100% European, plus they also comply with Oeko-Tex® Standard 100. Its products are the outcome of close partnership between medical researchers, professional athletes and specialist operators in anatomical compression for sport.

All its products are tested in the harshest conditions imaginable (in Abu Dhabi, Hawaii, Mont Blanc, the Sahara, etc.) which are the venue for the toughest races.


Its products include vein and muscular compression technology to help the athlete’s performance at different levels both during exercise and also afterwards. That is because compression improves performance, delays the onset of fatigue during exercise, avoids muscle tears and strains and helps with and maximises recovery between sessions since the compressive fabric in its products helps blood return from feet to heart, which considerably reduces the build up of toxins in the legs especially during continuous effort.


Its multi-product, multi-language and multi-country e-commerce platform offers athletes and sports fans in general a new purchasing channel for all Compressport products. It is also a new information channel about the firm’s products, new developments, releases, news about major sporting events the brand and its athletes take part in, as well as a way to find out about shops selling its products in all the countries where the brand is present.



New Packaging for Centenary Cookies

The packaging therefore appears as a very relevant...

In 1910, in Camprodon, in the Pyrenees of Girona, it was born Birba, a family company dedicated to the development of the highest quality artisan cookies, with the aim of making its customers enjoy an outstanding cookie.


True to its century and inspired by the natural surroundings of Ripollès traditions, Birba continue selecting the finest ingredients and apply traditional recipes to further develop traditional style cookies. This is the secret of their success.


Today, however, are no longer enough about good ingredients and artisan development, the market is tough, competition is increasingly fierce in all channels, and we live in a world where there are plenty of products: hundreds and hundreds of cans, boxes, packs … that brands use to differentiate themselves from competitors.


The packaging therefore appears as a very relevant when it comes to differentiate themselves from competitors, trying to capture the customers attention and curiosity, and to strengthen the identity of the brand: this is the first thing that users see of our products.


Therefore, when defining and designing the packaging of our products, we must consider a number of aspects that are key:


  • Linking the packaging with the brand and logo; a shocking and amazing packaging facilitates the consumer to know who we are and to remember the brand more easily.
  • Identification of clear container with its contents: the consumer must clearly identify what’s inside, only seeing the pack.
  • Be very clear about what’s our public goal: to whom we go, what are the current market trends, what are the aspects most valued by consumers, what are the most suitable materials (o be used for the package, what are their preferences…
  • To study the competitors to analyze how they are performing and assess how we can offer a more striking and distinct product, highlighting quickly and easily the qualities and values ​​that add viewed to our
  • To study the legal details of the required information in the packaging, especially in the case of food
  • Thinking ahead, that is, the present design should be able to transfer to other existing products or new products that can be bring to market later.


It’s assessing all these considerations, as well as other more strategic business context, reviewing the product portfolio, export considerations … that we worked the packaging evolution for two of the most iconic Birba cookies: Cubanitos and Fruits d’Or.


Prior to joining the new packaging, we also review the products namings, trying to find more sonority, with shorter names evolving the current name, without a specific meaning and playing with one voice…

Thus, Cubanitos, crunchy rolled wafers covered in chocolate fondant, become CUBS, and Fruits d’Or, the famous biscuit mille-feuille filled with coconut cream and covered in chocolate, become LINS.

The graphic evolution of the pack is also very significant .

Beds of the future…

Can beds release picture?

Rest, the personal comfort of their clients, the most innovative design, the use of the most exclusive and advanced technologies, research and work with the best natural products, and the most careful processes in all phases of the production of their rest systems. This is WLN Barcelona.


Their experience and their continued innovation in rest systems allows them to offer a sophisticated line of beds and complements of high quality, exquisite design, and comfort for even the most demanding clients, a fact that has already made them an established brand in many countries.


Since the beginning of the company, they have had a clear goal: to offer the best sleep system to their clients. For that reason, they can say that they offer up to fifteen different ways to rest, because we’re all different, and we all need different ways to sleep and rest.


The best products are the fruit of the best processes, and the best processes are the result of employing the best team in each stage.


That’s why at WLN Barcelona they have experts in design, experts in finding the best products from around the world (from Australia to Tanzania, and from Argentina to Thailand), experts on research and development, experts in production processes, and the best logistical collaborators.


The combination of products and elements like wool, cotton, latex, etc., with carbon fiber, palm, liquid gel… in different layers and dimensions, allows them to offer sleep systems personalized according to the needs of each client.


Additionally, they offer to their clients 30 days to try the bed, as well as 10 years of guarantee. They offer a great product, and they’re the only brand that offers their clients the M1 IGNIFUG standard in all of their beds, and they’re also the only brand that shows their clients the materials inside—they have nothing to hide.


The fact that first-class hotels like Hotel Regency Kuwait, Hermitage and Plaza in Andorra, Mandarin Oriental in Barcelona, or the Mövenpick Hotel Kuwait, have been equipped with mattresses and accessories Weightlessness, and that mattresses are also available for boats, with customized sizes and formats, as they are the only ones prepared for their materials and their composition with suitable tissue to resist changes in temperature and humidity continuous sea is another indication of product quality.


With this product in hand, WLN Barcelona set to step forward, to evolve its corporate image with a more modern and dynamic logo, outlining the colours of the brand, making it more clear and direct, and renewing all corporate stationery, designing a new brochure of its products in four languages ​​(Catalan, Spanish, English and Russian), launching a new multi-language website also to reach new markets and, of course, opening a shop of 500m2 at the Via Augusta in Barcelona.


The bases to face the future with more optimism are already put …



First Mallorca

my home, the mirror of my soul

Are you thinking about owning an idyllic finca overlooking the sea?


Did you enjoy the natural beauty of the Mallorca island, its pleasant climate and the Mediterranean lifestyle the whole year round from a permanent residence or temporarily from an attractive second home?


Above the fashionable harbor of Port Portals, in Costa d’en Blanes, in the island of Mallorca, you can find one of the most professional and experienced real estate agents in the Balearic Islands, a market leader providing “boutique style” real state agencies.


First Mallorca was created in 1995 by its founding members, Heidi Stadler and Robert Maunder. They knew the island very well and by then had travelled the world, living in different continents. Their experience in tourism development and in the hotel industry allowed them to appreciate very fast the exceptional quality of life Mallorca offered in addition to the professional opportunities Mallorca offered them. Neither of them was tempted to start new businesses in their home countries, England and Austria. It had to be Mallorca…


Today First Mallorca provides a large product selection of over 1.000 properties throughout the island with stunning sea view locations, country residences, building plots, investment properties and new and resale apartments, a great variety of choices with square meter prices ranging between 2.500 € and 30.000 €. Mallorca, with its unique properties, has developed into first choice destination for second homes for European and worldwide citizens.


At First Mallorca, they want to continue being the Balearic Islands preferred local Real Estate agency, providing exclusive, creative and innovative services, and being acknowledged for their impeccable reputation. So, to reach all these objectives, they launch an annual advertising campaign to support all their communication activities.


That’s why they contacted us, and these were the two areas we worked on:


  • First of all, we worked on a campaign claim that helped the consumer to imagine, to live, to feel a new sensation, the new home’s sensation: “my home, the mirror of my soul”. We wanted to transmit that we are the only ones to offer them their home, the home they had been waiting for years.


  • Secondly, we worked on how to transmit this message: how could we show different properties, the properties that our clients have at their mind? We found a creative solution on creating several high level client profiles, men and women and, inside these profiles, we showed their homes: the most exclusive and attractive properties around our island.


Special thanks to my Grey team: Angel Trallero (Executive Creative Director), Jaume Garcia (Creative Director) and Irene Alvarez (Art Director).